Rabbit Transit is a forgettable game that borrows elements from Frogger and Q*bert. You control a nicely-animated white rabbit that can only jump diagonally. The first game screen is much like Frogger, as you hop across a meadow while avoiding snakes, butterflies, and chattering pairs of teeth (where did they come from?). The second screen is definitely Q*bert inspired, as you need to jump around platforms and turn them all into the same color. Making your life more difficult is some annoying guy who throws rocks at you. Should you survive, you're treated to a cute intermission showing two rabbits and their offspring. Then it's back to the beginning for some faster, more intense action. I wasn't particularly thrilled with Rabbit Transit. The graphics and control are fair, but the gameplay lacks originality. In addition, "London Bridge Is Falling Down" plays constantly in the background, which is irritating to say the least. © Copyright 2001 The Video Game Critic.

This unlikely sports title begins promisingly enough with two multi-colored players entering an enclosed 3D room. The rules are like real racquetball, with both players taking turns smacking the ball off the front wall and not allowing it bounce twice. Racquetball's graphics aren't bad at all, but its gameplay absolutely sucks. Instead of a single shadow moving under the ball, multiple shadows move erratically across the floor, walls, and even ceiling! I was like, "What the hell is going on?!" With all those dots flying around, it's too disorienting. I quickly removed the cartridge and cleaned its contacts to make sure it wasn't malfunctioning. When you can't tell when a game is broken or not, that's never a good sign. With a "normal" shadow and slower action, Racquetball could have been worthwhile. But as it is, it's practically unplayable. © Copyright 2005 The Video Game Critic.

This jet fighter game straddles the line between simulation and arcade, but the results mixed. You embark on five missions of increasing difficulty and view the action from just behind your triangular plane. Radar Lock begins with a nice runway sequence before switching to a nice blue horizon with passing clouds. When engaging the enemy, multiple brightly-colored planes appear, darting around unpredictably. I've seen up to four planes on the screen at once, and they look pretty good. You can bank and accelerate, but thankfully, altitude is not a factor. The dog-fighting action would be pretty weak if not for the fact that you can switch between three different weapons on the fly using the right joystick. Your standard weapon, and easily the most effective, is your rapid-fire machine guns. The guided missile weapon is a disappointment - it's not only hard to use, but unreliable as well. Your third option is a limited supply of "proximity missiles", which can obliterate planes en masse. Unfortunately, you must time their detonation perfectly or risk blowing yourself up instead. I found switching weapons in the heat of battle to be awkward, but a two-player mode lets a second player assume the weapon responsibilities. Enemy planes fire missiles periodically, and the best means of escape is to move the joystick like crazy. Radar Lock game is a tough game, and I couldn't even make it past the third mission. It seems like the hardest part is just getting the enemy planes to appear on the screen. After the first mission, they tend to be elusive, sitting at the radar's edge while you wrestle the joystick to bring them into range. The situation becomes even more aggravating when your fuel is running low. I do like how you must refuel at the end of each mission by docking with a fuel tanker - it's not too hard and spices up the gameplay. I also like how the black and white switch can be used to pause the game. I doubt that Radar Lock will appeal to the casual player, but those looking for a challenge should appreciate it. © Copyright 2003 The Video Game Critic.

This game is so bizarre. Are you telling me that this is the best idea U.S. Games could come up with ?! In Raft Rider, you guide a rather scary-looking man down a river while avoiding various obstacles. This dude has my vote for ugliest Atari 2600 character of all time. Not only is he thin and pale, but he has a huge nose and wears a top hat. I doubt U.S. Games intended him to be such a monstrosity, but he's an absolute freak. After giving Raft Rider a chance, I discovered it really wasn't half bad, but its unorthodox control scheme takes a lot of practice. Your raft moves in a delayed manner, forcing you to react early to oncoming obstacles. There's a wide variety of obstructions including rocks, branches, and an occasional Loch Ness Monster (the manual says it's a moose, but I know what I saw!). Your raft moves slowly at first, but the pace picks up in a hurry. Raft Rider's graphics are decent, but the sound effects are best described as annoying. If you enjoy games with lagging controls and ugly people, this is the game for you. © Copyright 2000 The Video Game Critic.

If the artwork on the label is any indication, this game looks and plays just like the movie! Okay it doesn't, but Raiders of the Lost Ark does a commendable job of combining live action and puzzle solving. Like the film, the gameplay involves bartering with merchants, exploring temples, avoiding snakes, outrunning thieves, and locating a hidden map room revealing the location of the Ark. Outfitted with his trusty whip and trademark fedora, Indy is well animated and bears a striking resemblance to Harrison Ford. Snakes slither nicely down the screen, but the rest of the graphics look either painfully abstract or just awful in general. Characters like the thief, raving lunatic, and giant spider look so appalling that you'll need to consult the manual just to know what you're looking at! It's a good thing programmers don't do their own artwork anymore! The Indiana Jones theme loops at the beginning and end of the game, but otherwise the audio is sparse. The unusual control scheme requires two joysticks: one to control Indy and one to manipulate your inventory. You can carry six items at a time, and typical items include a gun, key, parachute, watch, shovel, and various artifacts. It's interesting to explore new areas, but the screens can be incredibly irritating to navigate. Tsetse flies paralyze you, floating lights imprison you, thieves steal your items, and falling off a cliff is a regular occurrance. Trying to determine the purpose of each item requires a great deal of trial and error. Back in 1982 I was astonished when my little sister blew up a wall with the grenade, revealing a huge cave! Years later she admitted that she had peeked at the hints in the back of the manual! While graphically challenged and often frustrating, patient gamers will appreciate the intricate complexity of Raiders. There is a true sense of accomplishment when you finally uncover the Ark. Yes, it's possible to love this game, but you really need to try! © Copyright 2008 The Video Game Critic.

I never cared for Rampage in the arcade, so my chances of liking this watered-down Atari 2600 version were pretty much nonexistent. Based on the premise alone, I must admit that Rampage sounds like one heck of a fun good time. One or two players can select between three huge monsters (gorilla, lizard, wolfman) and proceed to wreak havoc on a series of cities by bringing down skyscrapers, snatching helicopters, tossing police cars, and munching on innocent civilians. Thanks to its humorous animations, Rampage rates quite high in terms of novelty value, but its gameplay is awfully repetitive. All you do is systematically climb buildings, punch holes in them, and watch as they crumble to the ground (or in this case - blink to the ground). Grabbing people and vehicles earns bonus points and health, but they're hardly worth going out of your way for. It would be easy to belittle the graphics in this version of Rampage, but they actually get the job done very well. The crappy buildings in the foreground are composed on huge, solid-colored blocks, but the background skylines look great. Your monster looks more like a blob at first glance, but closer scrutiny reveals a nicely-animated creature. They look especially funny when chewing on people. Once your creature loses all of its life, it shrinks down to its naked human form, and it's funny to watch the embarrassed little guy slink off the screen. The control is fair, but it's hard to tell where you can or can't climb. Rampage's lackluster gameplay is its main downfall. Not only is it painfully repetitive and slow, but it's remarkably easy as well! There are 85(!) cities to trash, but after toiling through the first dozen or so, I didn't see much point in continuing. A difficulty option might have saved this game, but I doubt it. © Copyright 2004 The Video Game Critic.

After receiving much flak regarding my negative review of Reactor, I decided to go back and give it a second chance. After several plays and careful analysis, I developed an intricate understanding of the game's subtle nuances. And after much soul-searching, I think I'm finally ready to say, "What is wrong with you people!? Reactor stinks and there's no way around it!!" It's really hard to believe that this was once an arcade game, considering just how annoying this game is. You guide a star-shaped "ship" around a blocky "reactor" chamber with an ever-growing core in the center. Small, round particles swarm your ship which you're supposed to knock into walls for points. There's little room to maneuver however, and slippery controls make it easy to slide into the outer wall, resulting in instant death. Actually, the particles tend to destroy themselves if you just move the joystick randomly and keep your distance from the walls. In order to shrink the expanding core, you must knock out "control rods" (dashes) on either side of the chamber, and there are also "bonus chambers" to knock particles into. The squirrelly controls make tough to navigate and the collision detection is awfully erratic. Another thing I dislike about Reactor is how the game discourages you from taking risks. In my experience, trying "not to die" is the most effective strategy. Even so, the game takes a terrible toll on your wrist. Reactor does provide a substantial challenge, but it's far more aggravating than it is rewarding. If this is what it's like to work in a nuclear power plant (and I'm almost sure it is), then I feel sorry for those people. © Copyright 2004 The Video Game Critic.

This was Atari's big opportunity to make up for that embarrassing Homerun debacle, but they blew it big time. It's a shame really, because Realsports Baseball had potential. The graphics aren't bad and you can easily toss the ball around the diamond, but the fun stops there. Due to poor programming and an egregious lack of play testing, Realsports Baseball is chock-full of obvious flaws and ridiculous bugs rendering it nearly unplayable. Every pitch looks exactly the same, sailing straight over the plate. You never know if a pitch is hittable until you let it pass or swing right through it! Batted balls are hit to the same spots over and over. Fly balls are indicated by a ringing sound, and not catching one results in a home run. Runner control is clumsy but at least it gives you the ability to lead off and steal. The fielding isn't so bad, but throws constantly sail over the first baseman's head, forcing you to run down the errant throw. The CPU opponent does this constantly, and it looks absolutely hilarious to see such an inept computer-controlled team. The CPU also enjoys throwing to the wrong base, so once you have a man on first you can pretty much run around the bases without being challenged. The headache-inducing sound effects include an inordinate amount of buzzing, and you have to wait for both teams to switch sides between innings (yawn). Last but not least, you have to explicitly select your player to control even when you only have your batter on the screen! Realsports Baseball had the makings of a decent game, but it's so unpolished that it's pretty much a total loss. © Copyright 2004 The Video Game Critic.

Compared to Activision's Boxing, Realsports Boxing is graphically superior but less fun. The finely detailed ring is viewed from the side, and having four multi-colored boxers to choose from is pretty sweet. The control scheme lets you to punch high, low, jab, or block. The boxers tend move a bit too fast, but setting the difficulty to 'A' will slow the action down to a more reasonable pace. One odd play mechanism is the strength meter, which increases as you do well. When it fills up, you can knock out your opponent. So how does this game play? Not bad, but when both boxers are close it's difficult to tell who's landing punches because they tend to overlap. It's much easier to tell what's going on in Activision's Boxing. Still, this ambitious title deserves some credit. © Copyright 1999 The Video Game Critic.

Back in the 1980's, during each Thanksgiving my cousin Todd and I would engage in a rousing contest of Realsports Football. The trash talking was relentless as we battled tooth and nail for the coveted "Richard Dawson Cup". Realsport's action is extremely fast, but its graphics are a mixed bag. While the five players on each team are rendered in high-resolution detail, they also tend to flicker quite a bit. The game contains some nifty animations, like quarterback throwing motions, kicking motions, and tackled players keeling over as if they just got shot in the side. The field itself looks sparse. There's a line for every ten yards, but no hash marks. Before each play, you select one of seven plays (five on defense) for the entire team. This limits your options, but makes the game easy to learn. The passing game is fair, but running is tough because your player is down if a defender touches any part of his body (including the baby toe apparently). The action is fast and the controls are sensitive, leaving little room for error. The best aspect of Realsports Football is its kicking game. Not only can you punt, but you even attempt field goals and extra points. A one-player mode is included, but the brain-dead computer opponent is pretty worthless. Overall, Realsports Football is a big step up in realism, but not necessarily a big step up in terms of fun. © Copyright 2006 The Video Game Critic.

What the heck happened here? I thought the term "Realsports" was supposed to indicate some degree of realism! Heck, Pele's Soccer (1980) is more realistic than this! In Realsports Soccer they removed the goalie, eliminated out-of-bounds, and made it a cinch to score. And what's the deal with these graphics? Sure the players look good, but the field is just a bunch of blocky lines and the nets are nowhere to be found. Fortunately, Realsports Soccer plays pretty well. The controls make it easy to steal and pass, and it's definitely more exciting than Pele's Soccer. You still control three players, but now they're spread out across the field and the screen scrolls sideways. Still, this seems like a rather lukewarm effort. © Copyright 1999 The Video Game Critic.

Only two tennis games exist for the Atari 2600 - Realsports and Activision's Tennis. Both are surprisingly good, and it's a tough call to determine which is better. Realsports definitely has the edge in graphics, with multi-colored players and a scoreboard that can actually display your name! There are several types of hits at your disposal, although the lob doesn't attain enough height to be effective. The main problem with Realsports Tennis is how you can't hit the ball at a sharp angle, resulting in endless volleys and long games. © Copyright 1999 The Video Game Critic.

This was a Christmas gift from my sister way back in 1982. I remember it sat wrapped under the Christmas tree for two weeks, and while I knew it was an Atari cartridge, I had no idea which one it was. By the time I finally opened it, the box was all bent out of shape from me handling and shaking it so much. Realsports Volleyball is impressive looking, but to be honest, it's too slow and repetitive. Its two-on-two contests take place on a bright yellow beach, complete with blue "waves" and a setting sun. I really like the continuous sound of surf crashing into the beach. The volleyball teams are composed of two players that move in unison. Although blocky and single-colored, they are large and well-animated. They really move fast on the 'B' difficulty setting, but limp around on 'A'. Realsport Volleyball's gameplay is not up to par. Setting the ball and spiking is easy enough, but the hits are weak, resulting in endless boring volleys. Set, set, spike, set, set, spike, rinse and repeat. The computer opponent isn't much of a challenge, considering he can't reach shots centered between his players. As the only volleyball game for the 2600, this comes off a bit flat, but at least it has a surprise ending. If you wait until after the sunset, you can spot a shark fin moving slowly across the horizon. It may not be a big deal now, but in 1982, my sister and I were absolutely freaking out over it! © Copyright 2005 The Video Game Critic.

Christmas games are few and far between, making Reindeer Rescue a fantastic treat to pull out around the holidays. It may not be great, it's hard to dislike a game that exudes so much holiday spirit. Through four stages you help Santa bound over rooftops and snow-covered landscapes in an effort to gather up his eight reindeer. Santa is rendered in several colors, and the fluid manner in which he runs put a smile on my face. The houses and snowdrifts in the foreground look blocky, but in the background you'll spot all sorts of seasonal images, including snowmen, trains, and polar bears. There are surprises as well including AT-ATs and snowspeeders from Star Wars! Getting past the third stage is a challenge, and there's some strategy involved in deciding whether to run on top of a snowdrift or underneath it. Santa's health is represented by a string of Christmas lights at the bottom of the screen, which is another nice touch. But what really steals the show is the game's outstanding soundtrack, which plays pleasant renditions of many Christmas carols. These timeless tunes elevate an otherwise average game to the ranks of holiday classic. © Copyright 2007 The Video Game Critic.

Bira Bira, a small brown plaster idol, has become the stuff of legend among video game collectors. It symbolizes all of the crap you find at flea markets while hunting for rare cartridges. Rescue Bira Bira is actually a hack of an old Mystique game. Taking control of a helicopter, you attempt to smother flames around a Bira Bira statue that's being sacrificed on a raised alter. Bad guys on the ground attempt to stop you by hurling "ET cartridges" in your direction (according to the instructions). When the flames get low enough, you can grab Bira and fly her to safety. You'll then be treated to a quick screen showing two guys worshipping the idol. Then it's back to the beginning, but now everything is faster. It's an amusing concept, but the gameplay is just so-so. © Copyright 2000 The Video Game Critic.

This recently-resurrected old Fox prototype is technically impressive, but leaves something to be desired in terms of gameplay. Obviously inspired by the Planet of the Apes movie series, you control a man marooned on a hostile planet. To escape, he'll need to navigate his way through numerous forest, river, village, desert, and cave screens to reach safety. The scenery is fairly chunky but the characters look good. In most screens, multiple apes approach from the left or right, and you can shoot them for points. You'll encounter harmless chimps, fearsome orangutans, and gorillas that can actually fire shots at you! At one point you character wades through a river with water up to his chest, and it looks really neat. Unfortunately, he can also get stuck in the scenery, which is frustrating. The scoring system is worthless, since you can just remain on one screen and shoot wave after wave of regenerating apes. A better challenge is to see how many times you can escape before your life expires. While the gameplay is admittedly weak, several newly-added features make this game respectable. When captured, you're treated to a full-screen graphic of a man behind bars, and it looks terrific. There's also a Statue of Liberty ending which is equally impressive. You'll also get a brief glimpse of the original ending, which looks pretty pathetic by comparison. I can't forget to mention the game's incredible soundtrack. While the unconventional music sounds terribly rough and distorted at first, these unique, edgy tunes really grow on you. Overall, Revenge of the Apes is mediocre, but the notable enhancements make it an interesting item for collectors. © Copyright 2003 The Video Game Critic.

Yeah, I know you're all pretty tired of Beefsteak Tomato games by now, but this is one you won't want to pass up. In fact, I'm kind of amazed by how much fun I had with Revenge of the Beefsteak Tomatoes. Its graphics and sound are minimal, but it has an unorthodox style of play that's oddly captivating. You control a "tomato sprayer" that moves freely around the screen. A row of tomato plants fires at you from the bottom, and large "Beefsteak" tomatoes attempt to ram you by moving sideways across the screen (Beefsteak is a real variety of tomato, by the way). Colored blocks travel across the top of the screen, and by shooting them and immediately firing downward, you methodically construct walls to contain the firing plants and block their missiles. Once three walls are complete, the round ends and you're awarded bonus points. It sounds like crap, but it's very challenging and entertaining. I don't think I'm going out on a limb when I call this the best Beefsteak Tomato game ever produced. © Copyright 2007 The Video Game Critic.

This innovative adventure puts you in the middle of an Egyptian desert, searching for the Temple of Ra where you intend to make an "offering". Along the way you'll encounter traders, rock-throwing thieves, scorpions, and two desert deities: the beautiful Isis and the evil Anubis. Your quest will take you past pyramids, temples, the Phoenix, and the Sphinx. Some of these high-resolution locations require specific offerings to pass. You'll discover and purchase useful items along the way including tools, treasures, and artifacts. The right joystick is used to control your inventory, but since you can hold a dozen things at a time, you won't need to do any tedious juggling. By toggling the difficulty and black/white switches, you can monitor your health, score, and time. Riddle of the Sphinx deserves a passing grade on concept alone - few adventure games for the 2600 are this sophisticated. Its graphics feature a nice white desert background with scattered palm trees, obelisks, and camels - very easy on the eyes. Your character moves across the bottom of the screen, and the scenery scrolls up and down above him, so he never really touches anything. In order to trade with merchants or sacrifice to temples, you must approach them from below. This can be problematic, because when you move downward you can't see where you're going! I recommend staying to the far left when moving "southward". The actual "riddles" can be found in the well-written manual. These provide hints as to what items each temple will accept, and they're not hard to figure out. Playing for score doesn't make much sense, since the longer you play, the more points you rack up. The main challenge is to complete game #3 in the shortest amount of time. Imagic did a decent job with this game, but I think they missed a big opportunity. By incorporating random elements or mystery items, the game would have been far more intriguing. As it is, Riddle of the Sphinx is still a fascinating journey. © Copyright 2002 The Video Game Critic.

River Raid has got to rank as one of the top five Atari 2600 games of all time. And to think - it was designed by Carol Shaw - a girl for Pete's sake!! This excellent vertical shooter requires precision flying and accurate shooting as you guide a jet through a river valley while blasting ships, helicopters, planes, and bridges. Flying over fuel barges restores your ever-dwindling fuel supply, and savvy gamers will destroy these just after refueling (for extra points). When your fuel gets low, it's a good idea to hold you fire so you don't accidentally blast an upcoming barge. Part of River Raid's challenge lies in navigating narrow channels (which often branch) without crashing into the sides. The game is expertly programmed, with crisp controls, smooth animation, and tight collision detection. The wonderful graphics feature multi-colored objects, satisfying explosions, and even some scenery on the riverbanks. You can control the speed of your jet by pushing the joystick up or down, and difficulty switches let you select between straight or guided missiles. The difficulty ramps very slowly, resulting in lengthy play sessions for expert players. All in all, River Raid is easy to play and just plain fun. On the 2600, it really doesn't get a whole lot better than this. © Copyright 2005 The Video Game Critic.

This vertical shooter didn't get much attention due to its late release, but River Raid II is an engaging and surprisingly sophisticated vertical shooter. Unlike its wildly popular predecessor, it tries to incorporate a certain degree of realism. You begin each stage by taking off from an impressive-looking aircraft carrier, and end each stage by landing on one. In addition to flying through river valleys, you'll spend half the game above open water. Altitude is a factor, especially when flying through valleys or coming in for a landing. In addition to shooting planes and helicopters, you can drop bombs by pulling back on the joystick. Refueling over the ocean involves flying over gold-colored refueling planes, and in valleys you can skillfully "swoop down" to snatch gold buoys. Although the control scheme is logical enough, it may befuddle River Raid I veterans looking to plunge right into the action. These flight controls take time to grasp, but it's worth the effort. On the downside, River Raid II is not nearly as pretty as the original, with dull colors and indistinct objects. Ships are gray blobs, and the game generally lacks that arcade "polish" Activision is known for. Even so, River Raid II offers an intense challenge that will reward the patient player. © Copyright 2005 The Video Game Critic.

One of the final titles released for the 2600 system, Road Runner does a fine job of capturing the whimsical spirit of the cartoon series. With eight unique stages, it's also one of the more challenging titles for the system. I couldn't make it past the fourth stage, but at least I had fun trying. You control the roadrunner, speeding down a desert road while avoiding Wile E. Coyote and his inventive gadgets, which include roller skates, rockets, cannons, and a magnet strapped to his body. You'll also need to dodge hazards in the road such as trucks and mines. The basic strategy involves swerving around these obstacles and "guiding" them into your pursuer. The scenery is sparse, but the characters are high in resolution and their nice animations are entertaining. The game offers no continues, but when you lose a life you pick up right where you left off. None of the music or sound effects stand out, except for the trademark "beep beep". My main gripe is how you constantly have to hold the joystick to the left, which made my arm very tired after a few minutes. Still, Road Runner is a quality game that requires both skill and strategy. © Copyright 2005 The Video Game Critic.

I first acquired this cartridge when returning a defective version of Atlantis to a nearby mall back in the early 80's (would you believe it had Cosmic Ark on it?!). The apathetic teenager working there said I could exchange it with any other game on the shelf. Sensing a golden opportunity that comes once in a lifetime (if you're lucky), I grabbed Robot Tank off the shelf, despite the fact that it was marked at an exorbitant $36! Since I had only paid $10 for the defective Atlantis, this exchange was comparable to a bank heist. I confidently executed the transaction (trying not to let on) and swiftly fled the scene before the dude could realize he'd been played like a piano. Once home and safe from the authorities, I reveled in my latest acquisition. Robot Tank is a first-person shooter along the same lines as Atari's Battlezone, but if Battlezone is a simulation, then Robot Tank is pure arcade. It's not realistic at all. Only one tank appears on the radar at a time, and it only fires if it's in view. Incoming missiles resemble large blocks, which can be evaded by simply rotating your tank until they disappear from sight. That makes absolutely no sense if you think about it. Enemy tanks move quickly and erratically, giving the game a target shooting vibe. Your missiles are guided and can collide with incoming shots. What's good about Robot Tank? Well its graphics for one thing. The terrain moves smoothly as your tank rolls over it, and the mountains in the background look far more impressive than the ones in Battlezone. But the main gimmick is the time-of-day and weather changes, which are announced with some official-looking "red alert" text. In 1983, this simply blew me away. As the game progresses, day turns to night, and each day brings a new random weather condition, including rain, snow, and fog. The weather not only affects your vision, but the handling of your tank as well! During the night, you must rely almost solely on your scanner to track down the enemy. One cheap strategy is to keep your enemy behind you until daybreak. You couldn't do that if there were two enemies at a time! Robot Tank has one skill level. It's a good-looking game, but it doesn't have nearly the depth of Battlezone. © Copyright 2003 The Video Game Critic.

Whoever programmed this game did one hell of a job. The three stages look beautiful, with smoothly animated characters, outstanding control, and catchy background music. It's a shame Roc 'N Rope is such a crummy game! Did anybody ever like this game? The answer to that question, I'm afraid, is no. In order to ascend the game's series of platforms, you have to shoot a rope at higher ledges and pull yourself up. Apparently the object is to touch the big chicken on the top of the screen, but Roc 'N Rope's is slow and tedious. If only the programmer had worked on Donkey Kong instead. © Copyright 2001 The Video Game Critic.

A reader recently described Room of Doom as a "hidden gem" in the Atari 2600 library. I can't argue about the "hidden" part; not only is it difficult to track down this loose cartridge, but the instructions are nowhere to be found. Calling it a "gem" is arguable, but I must admit it has a certain frantic, Berzerk-like quality to it. The unlikely premise has you moving a guy around a rectangular room. You must avoid a slow, wandering monster as men fire at you from holes around the perimeter. The monster is only of minor concern, but the multiple shots fired create perplexing crossfire traps. Small windows open and close in front of each shooter, allowing you to methodically blast these sharp-shooting bastards. Kill them all and you clear the wave. The challenge ramps sharply, and by the third of fourth room you'll be liquidating lives at an alarming rate. I like Room of Doom's cat-and-mouse gameplay. You really need to find a "safe spot", and then dart out periodically to take out the gunmen. The graphics and sound however are pretty pathetic. The human characters are poorly rendered and the blocky monsters look equally cheesy. At least the flying bullets are large and easy to see. Room of Doom offers an overwhelming selection of 64 variations, combining options like straight/diagonal shots, guided shots, and fast/slow modes. Personally, I would have preferred a single variation that changed these options between waves. Room of Doom didn't win me over, but I can see how some people might like it. © Copyright 2006 The Video Game Critic.